"Fallen Angels" by Noël Coward
Sparkling, dizzying and deliciously potent, “Fallen Angels,” Noël Coward’s champagne-fresh comedy of bad manners, shocked and delighted audiences at its 1925 premiere. Two upper-class wives, their husbands away for the day, share a few toasts to their premarital dalliances — with the same man, who just may be en route from France to visit. Old rivalries and past scandals bubble to the surface in this intoxicating romp from one of theater’s comedy masters. Nominated for five Tony Awards®, this acclaimed revival of “Fallen Angels” by the Roundabout Theatre Company was filmed live on stage at Broadway’s Todd Haimes Theatre. The... read more
Sparkling, dizzying and deliciously potent, “Fallen Angels,” Noël Coward’s champagne-fresh comedy of bad manners, shocked and delighted audiences at its... read more
THE ADVENTURES OF PRINCE ACHMED
Lotte Reiniger’s trademark silhouette animation style brings “The Arabian Nights” to wondrous life in this enchanting film, hailed as the first feature-length animated film when it premiered in Germany in 1926. A wicked sorcerer tricks Prince Achmed into mounting a magical flying horse, which is intended to carry him to his death. But the prince foils the magician’s plan and soars headlong into a series of wondrous adventures — joining forces with Aladdin and the Witch of the Fiery Mountains, doing battle with the sorcerer’s army of monsters and demons and falling in love with the beautiful Princess Peri Banu.... read more
Lotte Reiniger’s trademark silhouette animation style brings “The Arabian Nights” to wondrous life in this enchanting film, hailed as the... read more
AKIRA 4K
[アキラ]NEO-TOKYO IS ABOUT TO E.X.P.L.O.D.E. Katsuhiro Ōtomo’s landmark cyberpunk film, adapted from his own six-volume manga, paved the way for anime outside Japan. Set in 2019, in the aftermath of World War III, it chronicles the clash between best friends Shōtarō Kaneda and Tetsuo Shima as the latter develops psychic abilities following an encounter with a mysterious child. Tetsuo’s newfound powers attract the attention of a secret government project directed by the Japan Self-Defense Forces, who kidnap the teen and experiment on him until he breaks loose and wreaks havoc across Neo-Tokyo. As Tetsuo’s power grows and he leaves dozens... read more
[アキラ]NEO-TOKYO IS ABOUT TO E.X.P.L.O.D.E. Katsuhiro Ōtomo’s landmark cyberpunk film, adapted from his own six-volume manga, paved the way for... read more
ALL NIGHT LONG (1962)
Director Basil Dearden transplants Shakespeare’s “Othello” to London’s jazz world. Music promoter Rod Hamilton (Richard Attenborough) hosts an anniversary party for star musician Aurelius Rex (Paul Harris) and his wife, Delia Lane (Marti Stevens), a retired singer. But scheming drummer Johnny Cousin (Patrick McGoohan) wants Delia to come out of retirement and join his own band. Looking to break up the couple, Cousin spreads rumors of an affair between Delia and Aurelius’ manager, Cass (Keith Michell), pushing the jazzman over the edge. The band playing during the all-night party features real-life jazz greats Dave Brubeck, Charles Mingus and John Dankworth.... read more
Director Basil Dearden transplants Shakespeare’s “Othello” to London’s jazz world. Music promoter Rod Hamilton (Richard Attenborough) hosts an anniversary party... read more
AMERICAN DOCTOR
From Academy Award®–nominated and Emmy® Award–winning filmmaker Poh Si Teng, AMERICAN DOCTOR follows three American physicians — one Palestinian, one Jewish and one Zoroastrian — united by a single oath to save lives. After volunteering in besieged hospitals in Gaza, they return home determined to fight for the patients and colleagues they left behind, taking their battle from the front lines of war to the halls of Congress. DIR/PROD Poh Si Teng; PROD Kirstine Barfod, Reem Haddad. U.S./Palestine/Malaysia/Qatar/Denmark, 2026, color, 93 min. In English, Arabic and Hebrew with English subtitles. NOT RATED *Offer valid only for non-Q&A AMERICAN DOCTOR shows.... read more
From Academy Award®–nominated and Emmy® Award–winning filmmaker Poh Si Teng, AMERICAN DOCTOR follows three American physicians — one Palestinian, one... read more
ANATOMY OF A MURDER
Country lawyer Paul Beigler (James Stewart) takes time off from fishing to take on what seems an impossible case: defending bad-tempered Lieutenant Frederick Manion (Ben Gazzara) for murdering the bartender who allegedly raped his wife (Lee Remick). And Manion has already confessed to the crime! Otto Preminger’s tour-de-force courtroom drama also stars George C. Scott as a young hotshot prosecutor, Eve Arden as Stewart's wise-cracking secretary and Joseph N. Welch, the Army’s real-life lawyer during the McCarthy hearings, as the presiding judge; the film’s Grammy®-winning composer, Duke Ellington, cameos as a nightclub pianist. Filmed entirely on location in Michigan's Upper... read more
Country lawyer Paul Beigler (James Stewart) takes time off from fishing to take on what seems an impossible case: defending... read more
ASHES
[CENIZA EN LA BOCA] Multi-hyphenate director/producer/actor Diego Luna adapts Mexican writer Brenda Navarro’s acclaimed novel for his Cannes-premiered fourth feature, a powerful and unconventional immigration drama about a young Mexican woman who journeys to Spain with her younger brother to join the mother who left them behind as children. At 21, Lucila (Anna Díaz) is already accustomed to carrying responsibilities beyond her years. When she leaves Mexico with her emotionally delicate brother Diego (Sergio Bautista) to join their mother, Isabel (Adriana Paz), in Madrid, the journey promises a chance to begin again. But Spain does not provide the fresh start... read more
[CENIZA EN LA BOCA] Multi-hyphenate director/producer/actor Diego Luna adapts Mexican writer Brenda Navarro’s acclaimed novel for his Cannes-premiered fourth feature,... read more
BAJAÑÍ
Filmmaker Fernando Trueba partners with flamenco guitarist Niño Josele for this spiritual successor to CALLE 54 that captures the glittering sound of flamenco, jazz and Brazilian music. Primarily consisting of studio sessions, with brief connecting interludes, BAJAÑÍ features performances by Caetano Veloso, Ron Carter, Rubén Blades, Kenny Barron and Marisa Monte, accompanied by Niño Josele’s guitar — an instrument which, in the Caló language of the gitanos of Spain and ciganos of Portugal, is named bajañi. –Javier Chavez DIR/SCR Fernando Trueba; PROD Antonio Carreto, José Carlos Conde, Damián París. Spain, 2026, color, 112 min. In Spanish with English subtitles. NOT... read more
Filmmaker Fernando Trueba partners with flamenco guitarist Niño Josele for this spiritual successor to CALLE 54 that captures the glittering... read more
BARBARA FOREVER
Brydie O’Connor’s kaleidoscopic documentary — executive produced by Kristen Stewart and Christine Vachon — explores the life, work and ongoing cultural impact of filmmaker Barbara Hammer, a pioneering artist who lived boldly, created urgently, and transformed cinema through her singular vision. Her films were an extension of herself: sensual, experimental and unapologetically lesbian, rooted in a profound desire for connection and an insistence on telling her own story. Driven by her canon of over 80 films, a vast collection of unreleased archival materials and extensive audio interviews, O’Connor’s portrait allows for Hammer’s voice and images to shine through, becoming both... read more
Brydie O’Connor’s kaleidoscopic documentary — executive produced by Kristen Stewart and Christine Vachon — explores the life, work and ongoing... read more
BARRIO TRISTE
In an impoverished neighborhood of 1980s Medellín, a group of disaffected teens steal a TV reporter’s camera to document their lives, piercing the derelict landscape’s oppressive atmosphere with disarming reflections on dreams and death. But their understanding of reality and hope begins to erode as reports of mysterious lights falling from the sky coincide with temporal and spatial distortions. The feature debut from Bad Bunny collaborator STILLZ, soundtracked by the first original score by Venezuelan electronic musician Arca, BARRIO TRISTE is a generational portrait of Colombia’s forgotten youth, both personal and specific in its perspective, yet unclassifiable in its formal... read more
In an impoverished neighborhood of 1980s Medellín, a group of disaffected teens steal a TV reporter’s camera to document their... read more
BATTLING BUTLER
At the behest of his father, effete millionaire Alfred Butler (Buster Keaton) embarks on a hunting trip to toughen up — with valet (Snitz Edwards) in tow. When Butler falls in love with a sweet mountain girl (Sally O’Neil), his valet claims that Butler is actually world heavyweight champion Alfred “Battling” Butler in order to impress the working-class lass’ family. Butler and his valet maintain the ruse and win the girl…until the real Battling Butler (Francis McDonald) appears and demands a grudge match in the ring. Adapted from a popular stage musical, BATTLING BUTLER was, by his own admission, Keaton’s favorite... read more
At the behest of his father, effete millionaire Alfred Butler (Buster Keaton) embarks on a hunting trip to toughen up... read more
BEAU GESTE (1926)
A trio of British brothers — played by future Oscar® winner Ronald Colman, Neil Hamilton 40 years before he became Commissioner Gordon on TV’s BATMAN and the prolific Ralph Forbes — find themselves in the French Foreign Legion and at the mercy of a sadistic commanding officer (Noah Beery). William Powell shines in the supporting cast, eight years before he portrayed Nick Charles in the THE THIN MAN movie series. One of Paramount Pictures’ most popular films of the 1920s — and awarded the Medal of Honor by Photoplay magazine as one of 1926’s best movies, the year before the... read more
A trio of British brothers — played by future Oscar® winner Ronald Colman, Neil Hamilton 40 years before he became... read more
BEETLEJUICE
A recently deceased couple (Alec Baldwin and Geena Davis) struggles to adjust to their new afterlives, not to mention the invasion of their beloved New England home after a brash New York couple (Catherine O’Hara and Jeffrey Jones) and their goth teenage daughter (Winona Ryder) move in. Too nice to be effective at haunting their own house and scaring away the interlopers, the ghost couple turns to the ghoulish Beetlejuice (Michael Keaton), a freelance “bio-exorcist” whose aggressive tactics and obnoxious antics create an even bigger mess. Keaton is brilliant as the madcap and frightful Beetlejuice. Director Tim Burton established himself... read more
A recently deceased couple (Alec Baldwin and Geena Davis) struggles to adjust to their new afterlives, not to mention the... read more
BITTER CHRISTMAS
[AMARGA NAVIDAD] Eye-popping sweaters and interiors, the dramatic effect of a Chavela Vargas song, the sizzling screen presence of Rossy de Palma. Spanish auteur Pedro Almodóvar plays the hits before smashing his own playbook in this brilliant piece of autofiction, following the parallel stories of two self-obsessed filmmakers who contemplate the limits of inspiration. Bárbara Lennie is Elsa, a cult filmmaker whose string of flops caused her to transition into a powerful advertising executive. Suffering from splitting migraines, she relies on the care of her dedicated boyfriend, Bonifacio (Patrick Criado), a strapping firefighter who moonlights as an exotic dancer. The... read more
[AMARGA NAVIDAD] Eye-popping sweaters and interiors, the dramatic effect of a Chavela Vargas song, the sizzling screen presence of Rossy... read more
BLACK ANGEL (1946)
In this spellbinding adaptation of Cornell Woolrich’s thriller, noir favorite Dan Duryea gives a terrific performance as Martin Blair, a pickled pianist whose estranged wife is murdered. When her husband is charged with the crime, nightclub canary Catherine Bennett (June Vincent) enlists drunken Blair’s help in a search for the real culprit. Broderick Crawford and Peter Lorre add muscle and menace to the typically warped Woolrich atmosphere, well rendered by director Roy William Neill. (Note courtesy of Noir City Hollywood.) DIR/PROD Roy William Neill; SCR Roy Chanslor, from the novel by Cornell Woolrich; PROD Tom McKnight. U.S., 1946, b&w, 81... read more
In this spellbinding adaptation of Cornell Woolrich’s thriller, noir favorite Dan Duryea gives a terrific performance as Martin Blair, a... read more
THE BLACK PIRATE
Don’t miss Douglas Fairbanks at his swashbuckling best. Funny, fast-paced and furiously inventive, THE BLACK PIRATE was one of the first films shot in color (two-color Technicolor). Hoping to avenge the death of his father, the noble-born Duke of Arnoldo (Fairbanks) disguises himself as the Black Pirate to infiltrate a band of buccaneers. The film’s many iconic stunts and indelible images include Fairbanks sliding down a ship’s sail on the point of a knife; our hero singlehandedly fencing against a cadre of swordsmen; and the surreal attack of an underwater army. DIR Albert Parker; SCR Jack Cunningham; SCR Douglas Fairbanks.... read more
Don’t miss Douglas Fairbanks at his swashbuckling best. Funny, fast-paced and furiously inventive, THE BLACK PIRATE was one of the... read more
BLUES IN THE NIGHT (1941) in 35mm
In the inaugural jazz noir, an ambitious band leader (Richard Whorf) falls hook, line and sinker for a femme fatale club owner, and the complications that arise cause his band to violently and tragically implode. It is all there in the lyrics of the titular song. (Note courtesy of Noir City Hollywood.) DIR Anatole Litvak; SCR Robert Rossen from the play “Hot Nocturne” by Edwin Gilbert. U.S., 1941, b&w, 88 min. NOT RATED read more
In the inaugural jazz noir, an ambitious band leader (Richard Whorf) falls hook, line and sinker for a femme fatale... read more
CAMERON WINTER AT CARNEGIE HALL in 35mm
Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a show at Carnegie Hall. One night only. This is the movie. Directed and shot on 35mm and 16mm by Oscar®-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy® winner for albums with Vampire Weekend and Adele). GQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words,... read more
Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play... read more
CAMPEÓN GABACHO
Having crossed the Rio Grande in search of a better life, Mexican immigrant Liborio (Juan Daniel García Treviño, I’M NO LONGER HERE) settles in New York City without a penny to his name. He is taken in by a rough-and-tumble bookshop owner (Eddie Marsan, SHERLOCK HOLMES), who puts him to work doing odd jobs in exchange for a room in the attic. When Liborio spots the alluring Aireen (Leslie Grace, IN THE HEIGHTS) struggling against some thugs on the street, he takes action and fights back. This small act of kindness goes viral when social media influencer Doble-Ú (Rosario Dawson)... read more
Having crossed the Rio Grande in search of a better life, Mexican immigrant Liborio (Juan Daniel García Treviño, I’M NO... read more
CARRIE (1976)
If only they knew she had the power. Shy, awkward Carrie (Sissy Spacek) has trouble fitting in with the obnoxious teens at her high school, and her home life is equally challenging, as she is tormented by her religious nut mother (Piper Laurie). Carrie experiences a moment of sheer terror after she gets her first period in the gym class shower and is mocked by her classmates. Her spirits lift when the cutest boy at school asks her to the prom — but no one can foresee what awaits at the dance, when a prank pushes Carrie over the edge,... read more
If only they knew she had the power. Shy, awkward Carrie (Sissy Spacek) has trouble fitting in with the obnoxious... read more
COCO
Pixar creates a colorful and imaginative animated exploration of the folklore behind Mexico’s Día de los Muertos (Day of the Dead) and an ode to family ties across generations. Young Miguel (voiced by Anthony Gonzalez) dreams of becoming a troubadour like his idol, golden-age singer and actor Ernesto de la Cruz (Benjamin Bratt). But strangely, his shoemaking family adheres to a strict ban on music in their household. When Miguel finds himself magically transported to the Land of the Dead, he meets a humorous trickster named Héctor (Gael García Bernal), who was once a musician in the Land of the... read more
Pixar creates a colorful and imaginative animated exploration of the folklore behind Mexico’s Día de los Muertos (Day of the... read more
THE CONDOR DAUGHTER
[LA HIJA CÓNDOR] In a remote indigenous community in the Bolivian Andes, the midwives sing ancient Quechuan songs to aid birthing mothers and their newborns. Clara (Marisol Vallejos Montaño), a teenager with a gifted voice, is one such midwife, taught by her adoptive mother, Ana (María Magdalena Sanizo), to carry on the traditions of their people — but Clara has bigger dreams in mind. When she sets off into the big city to pursue a musical career, her community is certain they are now cursed, and they send Ana to bring Clara back and restore harmony. Filmmaker Álvaro Olmos Torrico... read more
[LA HIJA CÓNDOR] In a remote indigenous community in the Bolivian Andes, the midwives sing ancient Quechuan songs to aid... read more
Count Gore de Vol presents THE EVIL DEAD (1981)
Join us for some creepy good fun when local TV legend Count Gore De Vol (Dick Dyszel) returns to present another cult favorite in the spirit of theoriginal CREATURE FEATURE broadcasts, including vintage clips from the Count’s vault and interactive fun and games. Sam Raimi’s original vision for this slasher horror film was an indie experiment that would inspire a genre; he used the low budget to his advantage and injected humor into the Satan-laden narrative. Five college students, including Ash Williams (Bruce Campbell), travel to a cabin in the Tennessee woods where they encounter evil spirits emanating from an... read more
Join us for some creepy good fun when local TV legend Count Gore De Vol (Dick Dyszel) returns to present... read more
THE CRIMSON CANARY (1945) in 35mm
A dead singer, a desperate fiancée and a detective who loves jazz comprise this charming B movie about a trumpet player who gets locked up after the lead singer of his band gets whacked. The mystery is engaging, but the musical performances by jazz luminaries Coleman Hawkins and Josh White really push it over the top. (Note courtesy of Noir City.) DIR John Hoffman; SCR Henry Blankfort, Peggy Phillips. U.S., 1945, b&w, 64 min. NOT RATED read more
A dead singer, a desperate fiancée and a detective who loves jazz comprise this charming B movie about a trumpet... read more
DANCING LADY (1933) in 35mm
An ambitious dancer (Joan Crawford) claws her way up from burlesque stripper to Broadway chorus girl; a smitten millionaire (Franchot Tone) offers escape, while a hard-driving dance director (Clark Gable) provides crackling sexual tension. Lavish sets and famed costume designer Adrian’s glittering gowns frame a series of exuberant musical numbers, including Fred Astaire’s screen debut as Joan’s dancing partner. Robert Benchley and the Three Stooges provide comic relief. The introduction to this screening will include a short sequence cut before release — one of Hollywood’s earliest direct references to Adolf Hitler. DIR Robert Z. Leonard; SCR Allen Rivken, P.J. Wolfson,... read more
An ambitious dancer (Joan Crawford) claws her way up from burlesque stripper to Broadway chorus girl; a smitten millionaire (Franchot... read more
DEATH HAS NO MASTER
[LA MUERTE NO TIENE DUEÑO] Genre royalty Asia Argento stars as Caro, a fragile woman who returns to Venezuela to claim her inheritance, a crumbling cacao plantation, in Jorge Thielen Armand’s (FORTITUDE, LA SOLEDAD) anticolonial fever dream. Caro’s plans to sell the land for a quick buck grind to a halt when she discovers her familial mansion is now inhabited by its former staff, who refuse to leave. Venezuelan law supports their claim to the house, as they have lived there undisturbed for over five years. But Caro is not afraid to go outside the law to take back what... read more
[LA MUERTE NO TIENE DUEÑO] Genre royalty Asia Argento stars as Caro, a fragile woman who returns to Venezuela to... read more
DON'T PLAY WITH FIRE - New Restoration
Long difficult to see, Tsui Hark’s (A BETTER TOMORROW) DON’T PLAY WITH FIRE a.k.a. DANGEROUS ENCOUNTERS OF THE FIRST KIND is one of the most controversial and violent crime films from the Hong Kong New Wave of the 1980s. After a fatal hit-and-run, three high school friends flee the crime scene. They are witnessed by Pearl, a sadistic young girl, who pursues the group and blackmails them into more crimes, with increasingly disastrous consequences. DIR/SCR Tsui Hark; SCR Szeto Cheuk-hon; PROD Fung Wing-fat. Hong Kong, 1980, 97 min. In Cantonese with English subtitles. NOT RATED (treat as R) “Even today,... read more
Long difficult to see, Tsui Hark’s (A BETTER TOMORROW) DON’T PLAY WITH FIRE a.k.a. DANGEROUS ENCOUNTERS OF THE FIRST KIND... read more
DONKEY PRINCESS
[PRINCESA BURRO] Chilean directing duo Cristóbal León and Joaquín Cociña (THE WOLF HOUSE) take a genre-busting detour into the multiverse in their latest mind-blowingly handcrafted creation. In the long-ago kingdom of Chile, the black plague leaves a path of destruction and death, turning King Arthur into a distraught widower when his wife falls ill and dies, leaving him to care for their small daughter Diana. The king decrees that no one should have to suffer like he has under the auspices of romance, and forbids the plague of love throughout the kingdom. Now grown, Diana dares to defy her father... read more
[PRINCESA BURRO] Chilean directing duo Cristóbal León and Joaquín Cociña (THE WOLF HOUSE) take a genre-busting detour into the multiverse... read more
DRACULA (1931)
“I never drink…wine.” Bela Lugosi stars as Count Dracula, a part which brought him undying fame, in the film that started Universal on the path to becoming Hollywood’s number one name in horror. Directed by Tod Browning, a master of the macabre from the silent cinema (most notably on several films with Lon Chaney), the film features exquisitely atmospheric camerawork by the great Karl Freund. DIR/PROD Tod Browning; SCR Garrett Fort, from the play by Hamilton Deane and John L. Balderston and the novel by Bram Stoker; PROD Carl Laemmle Jr. U.S., 1931, b&w, 75 min. NOT RATED read more
“I never drink…wine.” Bela Lugosi stars as Count Dracula, a part which brought him undying fame, in the film that... read more
EL VIAJE DE KOKORRDIT
[THE DANCE OF THE KOKORRDIT] The ancestral homeland of the Wounaan people, nestled within the Darién Gap on the border between Panama and Colombia, is under threat from loggers, ranchers and miners. But perhaps the biggest threat is the government that turns a blind eye to the environmental ramifications of these earth-shattering activities that not only have harmed the Wounaan’s way of life but have also chased away their sacred bird, the kokorddit. Unable to rely on government support, Areo, a Wounaan chieftain, sets out to find the missing bird with the help of his niece Ayned, who very emphatically... read more
[THE DANCE OF THE KOKORRDIT] The ancestral homeland of the Wounaan people, nestled within the Darién Gap on the border... read more
EVA
After the sudden death of her daughter-in-law, Eva (Endry Cardeño), a trans woman, must take care of her newborn granddaughter and grieving son, Gustavo (Jancel Romero). Balancing the loss, her queer identity and several shifting relationships is hard enough, but Eva also struggles to connect with Gustavo, who seems detached from his daughter and plans to leave Honduras for the U.S. as soon as possible. A poignant and moving story from Honduran filmmaker William Reyes, EVA depicts the delicate journey of a mother and son towards mutual understanding and the forging of new family bonds. Cardeño, a trans woman herself,... read more
After the sudden death of her daughter-in-law, Eva (Endry Cardeño), a trans woman, must take care of her newborn granddaughter... read more
EVERYTHING ELSE IS NOISE
[LO DEMÁS ES RUIDO] Independent Mexican auteur Nicolás Pereda fashions a playful chamber piece, a biting comedy that gleefully skewers avant-garde musicians, filmmakers and especially the male ego. Tere (Teresita Sánchez) is an established musician and composer who never quite got the recognition she deserved, always living in the shadow of her male colleagues. But she is happy to play host to fellow composer Rosa (Rosa Estela Juárez), who is set for her first television interview and in need of a camera-ready background. However, when the hapless crew arrive (Pereda regulars Lázaro G. Rodríguez and Francisco Barreiro), nothing goes as... read more
[LO DEMÁS ES RUIDO] Independent Mexican auteur Nicolás Pereda fashions a playful chamber piece, a biting comedy that gleefully skewers... read more
FAUST (1926)
[FAUST: EINE DEUTSCHE VOLKSSAGE] A key film in Germany’s Expressionist film movement, FAUST was German film giant UFA’s most expensive production, until the following year’s legendary METROPOLIS (a combination credited with nearly bankrupting the company). Emil Jannings clearly relishes playing an over-the-top Mephisto, who tempts the aging alchemist Faust (Gösta Ekman) with youth, fame, fortune and sex in exchange for his soul. Among F. W. Murnau’s greatest films, FAUST dazzles the eye with UFA’s meticulous set design, gliding camerawork by Carl Hoffmann and innovative special effects. DIR F. W. Murnau; SCR Gerhart Hauptmann, Hans Kyser, from the play by Johann... read more
[FAUST: EINE DEUTSCHE VOLKSSAGE] A key film in Germany’s Expressionist film movement, FAUST was German film giant UFA’s most expensive... read more
FLESH AND THE DEVIL in 35mm (1926)
The first of seven Greta Garbo films directed by Clarence Brown, as well as the first to pair her with "The Great Lover" John Gilbert. Army cadets Gilbert and Lars Hanson are sworn blood brothers. Gilbert falls madly in love with the seductive Garbo, and, after killing her husband in a duel, is dispatched to Africa to avoid further scandal. He returns years later to find that Hanson, unaware of his friend's illicit romance with Garbo, has married her himself. William Daniels' masterly cinematography dazzles, most memorably during the climactic confrontation in the snow. DIR Clarence Brown; SCR Benjamin Glazer,... read more
The first of seven Greta Garbo films directed by Clarence Brown, as well as the first to pair her with... read more
FLIES
[MOSCAS] Returning to the nostalgia-laden black and white of his breakthrough debut DUCK SEASON, Mexican filmmaker Fernando Eimbcke crafts a delicate yet wry exploration of grief in his bittersweet new feature. In a busy corner of Mexico City, retiree Olga (Teresita Sánchez) lives a solitary life. In need of some extra cash for a routine procedure, she begrudgingly places an ad to rent out her spare room. But when an exhausted father (Hugo Ramírez) shows up at her doorstep with his nine-year-old son, Cristian (Bastian Escobar), her careful routine is disrupted. Sánchez, a stalwart of independent Mexican cinema, is a... read more
[MOSCAS] Returning to the nostalgia-laden black and white of his breakthrough debut DUCK SEASON, Mexican filmmaker Fernando Eimbcke crafts a... read more
FOR HEAVEN'S SAKE in 35mm (1926)
Harold Lloyd plays J. Harold Manners, a callow young millionaire who quite accidentally finds himself philanthropically sponsoring a relief mission. Although he originally intends to nix the deal, Manners has a change of heart after meeting Hope (Jobyna Ralston), the beautiful daughter of the mission’s evangelist founder. Manners now adopts their cause as his own, to the horror of his snooty society friends, who kidnap him in the hope that he will come to his senses and call off his impending marriage. But the mission’s stumblebums rally — drunkenly — to bring Manners and Hope together. A massive success at... read more
Harold Lloyd plays J. Harold Manners, a callow young millionaire who quite accidentally finds himself philanthropically sponsoring a relief mission.... read more
THE GENERAL
When the Civil War breaks out, railroad engineer Johnnie Gray (Buster Keaton) tries to join the Confederate army to make his fiancée (Marion Mack) proud. Deeming his profession a valuable Southern asset, the army rejects him for service as a soldier — and so his fiancée rejects him as well. But after Union spies steal his beloved locomotive (and his girl along with it), Johnnie springs into daring action. Keaton’s deadpan drollery, pitch-perfect comedic timing and incredible physical talent and bravery make this one of the greatest silent-era comedies. DIR/SCR Buster Keaton, Clyde Bruckman; PROD Joseph M. Schenck. U.S., 1926,... read more
When the Civil War breaks out, railroad engineer Johnnie Gray (Buster Keaton) tries to join the Confederate army to make... read more
GHOST IN THE SHELL (1995) - 4K Remaster
[GŌSUTO IN ZA SHERU/KŌKAKU KIDŌTAI] [攻殻機動隊] In the year 2029, a cat-and-mouse game is underway between cybernetic agent Motoko Kusanagi and the Puppet Master, a mysterious hacker wreaking chaos on the net. The seemingly simple criminal case quickly turns into a philosophical exploration of self-identity, the nature of reality and the dangers of an interconnected online world. Mamoru Oshii’s lean neo-noir thriller was a landmark achievement in the world of anime, a film whose intricate themes and hardcore cyberpunk imagery left a mark on a generation of filmmakers. DIR Mamoru Oshii; SCR Kazunori Itō; PROD Yoshimasa Mizuo, Ken Matsumoto, Ken... read more
[GŌSUTO IN ZA SHERU/KŌKAKU KIDŌTAI] [攻殻機動隊] In the year 2029, a cat-and-mouse game is underway between cybernetic agent Motoko Kusanagi... read more
GILDA (1946)
Rita Hayworth created her Hollywood “Love Goddess” legend in this tailor-made romantic drama, the first of several sex-charged pairings with costar Glenn Ford. The sexual symbolism slipped past the censors (and most viewers) at the time; today the film is regarded as one of the greatest examples of a director “working around” the Production Code. (Note courtesy of the Film Noir Foundation.) DIR Charles Vidor; SCR Marion Parsonnet, Jo Eisinger, from the story by E.A. Ellington; PROD Virginia Van Upp. U.S., 1946, b&w, 110 min. NOT RATED read more
Rita Hayworth created her Hollywood “Love Goddess” legend in this tailor-made romantic drama, the first of several sex-charged pairings with... read more
HANGOVER SQUARE (1945)
Hard at work composing a piano concerto, highly sensitive Londoner George Harvey Bone (Laird Cregar) begins to suffer from blackouts when he hears harsh or strident sounds. Is he an innocent amnesiac or a psychotic killer? This eerie film noir is based on a novel by Patrick Hamilton, the celebrated novelist and playwright behind ROPE and GASLIGHT, and features a fiery piano sonata score by Bernard Herrmann, cited by Stephen Sondheim as an influence on his own “Sweeney Todd.” DIR John Brahm; SCR Barré Lyndon, from the novel by Patrick Hamilton; PROD Robert Bassler. U.S., 1945, b&w, 77 min. NOT... read more
Hard at work composing a piano concerto, highly sensitive Londoner George Harvey Bone (Laird Cregar) begins to suffer from blackouts... read more
THE HISTORY OF CONCRETE
Following the finale of his acclaimed HBO series HOW TO WITH JOHN WILSON, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete, the world’s most widely used building material, appears as an ever-present life force, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble — literally and figuratively... read more
Following the finale of his acclaimed HBO series HOW TO WITH JOHN WILSON, NYC documentarian John Wilson looks to the... read more
HOPE (2026)
Filmmaker Na Hong-jin’s first film since 2016’s THE WAILING is a wildly entertaining and high-octane action thriller set in the remote South Korean village of Hope Harbor. Police chief Bum-seok (Hwang Jung-min) and officer Sung-ae (Hoyeon) are called to find a mysterious creature that has wreaked havoc on the village. In the nearby forest, a coterie of hunters, including Sung- ki (Zo In-Sung) set out to track the beast and find themselves hunted instead. But all is not as it seems, and perceptions can be misleading. What begins as ignorance plants the seed of disaster, escalating through human conflict into... read more
Filmmaker Na Hong-jin’s first film since 2016’s THE WAILING is a wildly entertaining and high-octane action thriller set in the... read more
HULA (1927)
From her nude swimming scene to her exotic grass-skirted hula dance, Clara Bow radiates a sensual vitality that all but ignites the screen. Hula (Bow), the impulsive daughter of a Hawaiian plantation owner, pursues pleasure and eventually romance with a handsome young engineer from the mainland. Bow brought a high-energy sexuality to her performances that no other actress — then and now — could match. Victor Fleming showcases Bow in costumes as daring as the film’s teasingly thin pretext of a plot. Censored almost everywhere it was originally shown, this new restoration from an original nitrate print is complete —... read more
From her nude swimming scene to her exotic grass-skirted hula dance, Clara Bow radiates a sensual vitality that all but... read more
IDOLS BEHIND ALTARS
Famed Russian revolutionary film director Sergei Eisenstein traveled to Mexico in December 1930 to experience firsthand its “geographical, ethnological, cultural and historical diversity” and to make the feature film known to the world as ¡QUE VIVA MÉXICO! After shooting 200,000 feet of 35mm film footage, drawing hundreds of outlandish sketches and writing volumes of theoretical texts, he departed in April 1932 without a completed film. We will never know what Eisenstein might have edited given the chance — perhaps he did not know himself — but we can show you what he actually directed and shot in Mexico. IDOLS BEHIND... read more
Famed Russian revolutionary film director Sergei Eisenstein traveled to Mexico in December 1930 to experience firsthand its “geographical, ethnological, cultural... read more
IF WE DON'T BURN, HOW DO WE LIGHT UP THE NIGHT
[SI NO ARDEMOS, CÓMO ILUMINAR LA NOCHE] Thirteen-year-old Laura (Lara Yuja Mora) is left adrift as she is forced to move to the Costa Rican countryside to live with her mother’s new boyfriend. Her new stepsister tries to ingratiate herself, but Laura is more interested in playing soccer and making friends with the rebellious Daniela (Keylin Delgado). But just as the forests and endless palm plantations begin to feel like home, Laura discovers a lurking secret that threatens the women she holds close. In her stunning and lushly atmospheric feature debut, filmmaker Kim Torres deftly explores the end of childhood... read more
[SI NO ARDEMOS, CÓMO ILUMINAR LA NOCHE] Thirteen-year-old Laura (Lara Yuja Mora) is left adrift as she is forced to... read more
THE IVY
[HIEDRA] Stuck in a state of arrested development, 30-something Azucena (Simone Bucio, THE UNTAMED) mostly keeps to herself, working a dead-end job and caring for her elderly grandfather. But she starts to come out of her shell when she connects with a group of teenagers at a nearby orphanage. What starts as spying soon becomes something more intense as she takes a special interest in 17-year-old Jose (Francis Eddú Llumiquinga). A spark of connection draws them closer, even if Azucena might have complicated motivations for getting to know the young man. Ecuadorian filmmaker Ana Cristina Barragán (ALBA, OCTOPUS SKIN) won... read more
[HIEDRA] Stuck in a state of arrested development, 30-something Azucena (Simone Bucio, THE UNTAMED) mostly keeps to herself, working a... read more
KEN RUSSELL'S THE DEVILS in 35mm
“The restoration of the material is like cleaning the Sistine Chapel with saliva. It is insane, the epic size of the film. I mean, I’ve seen it on the big screen in Telluride at a theater — but I’ve never seen the movie until I saw this restoration.” — Guillermo del Toro An enduring masterpiece of cinema starring Academy Award® winner Vanessa Redgrave and Oliver Reed, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption — and a defining work of art from seminal filmmaker Ken Russell. Power-mad Cardinal Richelieu (Christopher Logue) seeks control of 17th century... read more
“The restoration of the material is like cleaning the Sistine Chapel with saliva. It is insane, the epic size of... read more
KING CREOLE (1958)
A rebel without a cause (Elvis Presley) finds success as a nightclub singer, only to be dragged back into a life of crime by the crooked businessman who discovered him. Carolyn Jones haunts as the call girl who gets caught between warring show-biz factions. Presley delivers the acting performance of his career. (Note courtesy of Noir City.) DIR Michael Curtiz; SCR Herbert Baker, Michael V. Gazzo, from the novel “A Stone for Danny Fisher” by Harold Robbins; PROD Hal. B. Wallis. U.S., 1958, b&w, 116 min. RATED PG read more
A rebel without a cause (Elvis Presley) finds success as a nightclub singer, only to be dragged back into a... read more
KWAIDAN
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn’s collections of Japanese folklore, are existentially frightening and meticulously crafted. The great Tatsuya Nakadai stars in the second story of four as poor woodcutter Minokichi, who has a chance encounter with a ghostly yuki-onna, a Japanese folkloric figure. One of Nakadai and Kobayashi’s eleven collaborations, KWAIDAN showcases just... read more
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi... read more
LA PERRA
An adaptation of Colombian writer Pilar Quintana’s novel, Dominga Sotomayor’s (THURSDAY TILL SUNDAY, TOO LATE TO DIE YOUNG) impressive third feature expands on the Chilean filmmaker's distinctive explorations of memory, landscape and the inner lives of women. On Santa María, a remote island off the southern coast of Chile, Silvia (Manuela Oyarzún) leads a solitary life as a seaweed harvester, immersed in hard work, routine and the lingering presence of an unresolved grief, unspoken to her partner, Mario (David Gaete). When Silvia lets down her guard to take in an abandoned puppy, the quiet rhythms of her days begin to... read more
An adaptation of Colombian writer Pilar Quintana’s novel, Dominga Sotomayor’s (THURSDAY TILL SUNDAY, TOO LATE TO DIE YOUNG) impressive third... read more
LEPERS & SEX a.k.a. SANTO VS. THE RIDERS OF TERROR
In this newly restored entry in the long-running series of films featuring El Santo, masked luchador Santo comes to the aid of a town that is under attack by a violent mob of lepers who have teamed up with a criminal biker gang. El Santo (the ring name of professional wrestler and actor Rodolfo Guzmán Huerta) starred in over 50 low-budget Mexican productions akin to the B-movies of the U.S. His prolific onscreen appearances — battling Martians, vampires, zombies, mummies and kidnappers in the pursuit of justice — made El Santo a folk hero in Mexico. This specific entry is... read more
In this newly restored entry in the long-running series of films featuring El Santo, masked luchador Santo comes to the... read more
THE LONG CUBAN NIGHT
[CUBA Y LA NOCHE] In 2018, the Cuban government published Decree 349, a law that requires artists to obtain permission from the Cuban culture ministry for any public or private exhibitions. In response, a group of journalists, artists and academics calling themselves the San Isidro Movement formed to protest this restriction. Primarily utilizing cell phone footage taken by those on the ground, this documentary tells the story of a fight against oppression through three key moments in recent Cuban history: the November 2020 hunger strike by Luis Manuel Otero Alcántara and his fellow artivists; the spontaneous demonstration in front of... read more
[CUBA Y LA NOCHE] In 2018, the Cuban government published Decree 349, a law that requires artists to obtain permission... read more
THE LONG GOODBYE (1973)
Resetting Raymond Chandler’s Los Angeles detective classic from the 1940s to the 1970s, Robert Altman and company created a one-of-a-kind film that gleefully breaks all the rules. Elliott Gould plays private eye Philip Marlowe as a mumbling oddball who is nonetheless the lone voice for moral order in a corrupt world. The groundbreaking camerawork — constantly gliding, never still — is by Vilmos Zsigmond. John Williams’ eponymous theme song recurs organically throughout the film, arranged variously as supermarket Muzak, a hippie chant and a song on the radio. DIR Robert Altman; SCR Leigh Brackett, from the novel by Raymond Chandler;... read more
Resetting Raymond Chandler’s Los Angeles detective classic from the 1940s to the 1970s, Robert Altman and company created a one-of-a-kind... read more
LOVE ME OR LEAVE ME (1955)
The life of singer Ruth Etting gets the full noir treatment. Doris Day gives a powerhouse performance — both dramatically and vocally — as Etting, while James Cagney chews the scenery as the gangster who refuses to let her out of his grasp. The film won the 1956 Academy Award® for Best Writing, Motion Picture Story, and “I’ll Never Stop Loving You” was nominated for Best Original Song. DIR Charles Vidor; SCR Daniel Fuchs, Isobel Lennart; PROD Joe Pasternak. U.S., 1955, color, 122 min. NOT RATED read more
The life of singer Ruth Etting gets the full noir treatment. Doris Day gives a powerhouse performance — both dramatically... read more
A MAN CALLED ADAM (1966)
Sammy Davis, Jr. like you have never seen him before! Davis’ portrayal of Adam, the tortured cornetist alternating between self-sabotage and rotten luck, remains as startling today as when it was released. Leo Penn keeps his directorial choices for this unrelentingly bleak noir simple yet powerful. The film showcases George Rhodes and Louis Armstrong as they tear up real New York City nightclubs! DIR Leo Penn; SCR Les Pine, Tina Rome; PROD Ike Jones, James Waters. U.S., 1966, b&w, 104 min. NOT RATED read more
Sammy Davis, Jr. like you have never seen him before! Davis’ portrayal of Adam, the tortured cornetist alternating between self-sabotage... read more
THE MAN I LOVE (1946)
“There should be a law against knowing the things I found out about men!” Ida Lupino impresses as tough nightclub singer Petey Brown in this hard-boiled, jazzy melodrama with a yen for doomy romance. Quitting New York for California to be reunited with her siblings, Petey is soon busy sorting out the problems of her sisters Ginny (Martha Vickers) and Gloria (Dolores Moran). She also fends off the unwanted attention of her nightclub boss, Nicky Toresca (Robert Alda), while wondering if love will really bloom between her and damaged jazz man San Thomas (Bruce Bennett). The film was an inspiration... read more
“There should be a law against knowing the things I found out about men!” Ida Lupino impresses as tough nightclub... read more
THE MAN WHO CAME BACK (1924)
Dorothy Mackaill achieved stardom with her exceptional performance in this torrid melodrama. When the wastrel son (George O’Brien) of a rich businessman is cast loose to make his own way, he plunges into drink, violence and dissipation. When he meets a cabaret dancer (Mackaill), a fellow lost soul, she attempts to save him but is dragged down herself until they both hit rock bottom and reunite at a Shanghai opium den. The power of their shared love leads to a fragile chance at renewal, but she has to face the cold scrutiny of his respectable family. Alternately tough and deeply... read more
Dorothy Mackaill achieved stardom with her exceptional performance in this torrid melodrama. When the wastrel son (George O’Brien) of a... read more
THE MAN WITH THE GOLDEN ARM (1955)
Otto Preminger’s second challenge to the Production Code was shot in black and white to underscore the seriousness of the subject. Drug addict Frankie Machine (Frank Sinatra) tries to get clean — hindered by his neurotic wife, Sophia (Eleanor Parker). He is accused of killing a drug dealer and turns to his former girlfriend, Molly (Kim Novak), to clear him and help him finally kick his habit. Preminger’s controversial adaptation softens the bleaker aspects of Nelson Algren’s award-winning novel. Saul Bass’ groundbreaking title design became a Preminger trademark. DIR/PROD Otto Preminger; SCR Walter Newman, Lewis Meltzer, from the novel by... read more
Otto Preminger’s second challenge to the Production Code was shot in black and white to underscore the seriousness of the... read more
THE MATCH
[EL PARTIDO] In 1986, just a few years after the deadly Falklands War, Argentina and England engaged in another battle, this time on the pitch of the Estadio Azteca in Mexico City during the FIFA World Cup quarterfinals. The lingering tensions from the prior conflict set the scene for what became a historic — and infamous — match between two footballing giants. This is, after all, the match where Argentine legend Diego Maradona scored two goals minutes apart: his controversial “Hand of God” and the “Goal of the Century.” Adapted from Andrés Burgo’s book by documentarians Juan Cabral and Santiago Franco,... read more
[EL PARTIDO] In 1986, just a few years after the deadly Falklands War, Argentina and England engaged in another battle,... read more
THE MELTDOWN
[EL DESHIELO] An Antarctic iceberg is transported to the other side of the world to be exhibited as a symbol of the impressive natural resources of a country eager to rebrand itself after the end of an oppressive and divisive dictatorship. Meanwhile, Ines, a lonely child staying at her grandparents’ southern resort in Chile, befriends a teenage German ski champion named Hannah and witnesses her family’s dealings with foreign investors, as well as the ways they cope with potentially damaging truths. As in her award-winning debut CHILE ‘76, director Manuela Martelli’s background as an actor (B-HAPPY, MACHUCA) informs her directorial... read more
[EL DESHIELO] An Antarctic iceberg is transported to the other side of the world to be exhibited as a symbol... read more
MILLY: QUEEN OF MERENGUE
This lively musical biopic explores the trials and tribulations leading up to Milly Quezada’s solo career and how she earned the title of “Queen of Merengue.” Arriving in New York City’s Washington Heights neighborhood in the 1970s as her family fled civil war in the Dominican Republic, Milly (Sandy Hernandez) and her siblings form a band to play the merengue music of their homeland that their community misses sorely. With inventive musical numbers that include some of Milly’s classic hits, MILLY: QUEEN OF MERENGUE is a look at the origins of Milly Quezada that will please fans and newcomers alike.... read more
This lively musical biopic explores the trials and tribulations leading up to Milly Quezada’s solo career and how she earned... read more
MOUNTAINS OF FIRE
[CORDILLERA DE FUEGO] After centuries of forced displacement, indigenous communities in Guatemala have settled on new land, persevering by collective action. But when volcanologist Paula (María Mercedes Coroy, IXCANUL) discovers a new volcano forming under the fault lines of these communities, she worries their way of life may be threatened once again. If she wants to ensure their safety, Paula will have to fight against deep-seated corruption and powerful business interests in order to save lives and find a lasting solution for settlement. Adapting the true story of a tragic 2018 volcanic eruption, Guatemala’s most prominent filmmaker, Jayro Bustamante (IXACANUL,... read more
[CORDILLERA DE FUEGO] After centuries of forced displacement, indigenous communities in Guatemala have settled on new land, persevering by collective... read more
NARCISO
Asunción, 1959. Radio DJ Narciso Arévalos (Diro Romero) returns from Buenos Aires baptized by the raucous sounds of rock and roll. With his matinee-idol good looks and pompadour hairstyle, he quickly becomes an object of desire for men and women alike. But the local radio station sticks to the standards, playing Paraguayan folk tunes, until Narciso’s unrelenting charm offensive gets him a spot playing something more modern on the airwaves. He quickly turns into a sensation, the music of Buddy Holly and Chuck Berry becoming a beacon of hope and freedom for the youth of the nation. But this new... read more
Asunción, 1959. Radio DJ Narciso Arévalos (Diro Romero) returns from Buenos Aires baptized by the raucous sounds of rock and... read more
NEURÓTICA ANÓNIMA
In the mid-1950s, Havana was home to more movie theaters than Paris or New York City combined. Decades later, the city’s once-grand movie palaces are now crumbling, echoing the disillusion and spreading mental health panic gripping Cuban society. Illuminada (Mirtha Ibarra) has worked as an usher for one of these theaters, the Cine Cuba, for over 30 years; the sacred space, which screens all manner of film — from LA DOLCE VITA to Almódovar and Bigas Luna to American classics — serves as a respite from her alcoholic husband and own neuroses. When local officials declare Cine Cuba is to... read more
In the mid-1950s, Havana was home to more movie theaters than Paris or New York City combined. Decades later, the... read more
NOCTURNE (1946) in 35mm
The death of a notable composer gets ruled a suicide, but detective Joe Warne (George Raft) becomes so obsessed with the investigation, and the various women who wanted to see the composer dead, that he disobeys orders in an effort to learn the truth. This popular release was made just after Raft and director Edwin L. Marin had worked together on JOHNNY ANGEL. (Note courtesy of Noir City Hollywood.) DIR Edwin L. Marin; SCR Johnathan Latimer; PROD Joan Harrison. U.S., 1946, b&w, 87 min. NOT RATED read more
The death of a notable composer gets ruled a suicide, but detective Joe Warne (George Raft) becomes so obsessed with... read more
NORA PRENTISS (1947)
A neglected classic! Richard Talbot (Kent Smith) is the squarest doctor you will ever meet, but he is so taken by San Francisco nightclub singer Nora Prentiss (Ann Sheridan) that he decides to throw his life away in the hopes of winning her over. San Francisco location shooting is an added bonus! (Note courtesy of Noir City.) DIR Vincent Sherman; SCR N. Richard Nash; PROD William Jacobs. U.S., 1947, b&w, 111 min. NOT RATED read more
A neglected classic! Richard Talbot (Kent Smith) is the squarest doctor you will ever meet, but he is so taken... read more
NOSFERATU (1922) w/ THE CAMERAMAN'S REVENGE (1912)
NOSFERATU: A SYMPHONY OF HORROR [NOSFERATU, EINE SYMPHONIE DES GRAUENS] Casting a long and terrifying shadow over the genre, German silent-film master F. W. Murnau’s uncredited appropriation of Bram Stoker’s “Dracula” set the standard for all vampire flicks to come. Max Schreck’s monstrous Count Orlok is singularly frightening, repulsive and beastly, where Bela Lugosi was courtly and Christopher Lee seductive. DIR F. W. Murnau; SCR Henrik Galeen, from the novel “Dracula” by Bram Stoker; PROD Enrico Dieckmann, Albin Grau. Germany, 1922, b&w/hand-tinted color, 94 min. Silent with English intertitles. NOT RATED Preceded by: THE CAMERAMAN’S REVENGE [Месть кинематографического оператора] [MEST'... read more
NOSFERATU: A SYMPHONY OF HORROR [NOSFERATU, EINE SYMPHONIE DES GRAUENS] Casting a long and terrifying shadow over the genre, German... read more
NOSOTROS
Deep in the Guatemalan highlands, Romero (Józef Coxaj) leads a seemingly beautiful life with his wife and young child. But he dreams of something bigger, so he leaves his family behind to search for work in Guatemala City, with promises of returning in six months. He gets hired as a security guard in a rundown mall, finding accommodation alongside some of the other employees. On his daily patrol, he starts to notice Nubia (Lola Vásquez), a trans woman who owns one of the shops in the mall. Together they make space for their desires, starting a delicate relationship that quickly... read more
Deep in the Guatemalan highlands, Romero (Józef Coxaj) leads a seemingly beautiful life with his wife and young child. But... read more
NOTHING BETWEEN US
[NADA ENTRE LOS DOS] A food-poisoning scandal sends a multi-national corporation into a tailspin, and they convene top executives at a Mexican resort for an emergency summit on how best to tackle this public relations nightmare. Arriving from the Buenos Aires office is Mechi (Natalia Oreiro), the trip a welcome reprieve from her husband’s constant schemes. After a long day of meetings and ready to unwind, a terrifying earthquake sends Mechi stumbling out to the pool in her pajamas looking for help. There she meets fellow executive Guillermo (Gael García Bernal), and the two strike up a quick rapport. He... read more
[NADA ENTRE LOS DOS] A food-poisoning scandal sends a multi-national corporation into a tailspin, and they convene top executives at... read more
NOVEMBER
[NOVIEMBRE] November 6, 1985. The M-19 guerilla group takes the Colombian Palace of Justice by storm with the intent of holding the Supreme Court hostage. Filmmaker Tomás Corredor melds fact and fiction by turning this real-life tragedy into a pulse-pounding chamber piece, focusing the action on a cloistered bathroom within the palace where a group of hostages are being held. Natalia Reyes (BIRDS OF PASSAGE, IT WOULD BE NIGHT IN CARACAS) stars as Clara Helena, a conflicted guerilla who soon understands the gravity of her actions as the Colombian military starts to use deadly force to retake the building over... read more
[NOVIEMBRE] November 6, 1985. The M-19 guerilla group takes the Colombian Palace of Justice by storm with the intent of... read more
ODDS AGAINST TOMORROW
Disgraced ex-cop Dave Burke (Ed Begley) masterminds a piece-of-cake bank robbery in upstate New York, but to pull it off he requires the cooperation of two dangerously mismatched men: gambling addict and jazzman Johnny Ingram (Harry Belafonte) and hotheaded war veteran Earl Slater (Robert Ryan), whose racist antagonism threatens to thwart the seemingly fool-proof plan. Uncredited co-producer Belafonte hired blacklisted screenwriter Abraham Polonsky to adapt William P. McGivern’s novel, specifically to subvert the sanctimony of 1958’s THE DEFIANT ONES, a “feel-good” movie about racism. Robert Wise’s direction is as fresh and expressive as anything being done by the French New... read more
Disgraced ex-cop Dave Burke (Ed Begley) masterminds a piece-of-cake bank robbery in upstate New York, but to pull it off... read more
OLMO
Set in 1979 New Mexico — with a vibrant, sun-drenched color palette and killer disco soundtrack to match — this is a wry yet sincere coming-of-age tale from Mexican filmmaker Fernando Eimbcke (whose latest feature FLIES also screens in this year’s festival. Over the course of a day, teenager Olmo (Aivan Uttapa) juggles adult responsibilities and the pull of adolescent freedom as he begs, borrows and steals his way into a neighborhood party. With his father, Nestor (Gustavo Sánchez Parra), bedridden, Olmo is forced to share caregiving duties with his overworked mother, Cecilia (Andrea Suarez Paz), and his older sister,... read more
Set in 1979 New Mexico — with a vibrant, sun-drenched color palette and killer disco soundtrack to match — this... read more
THE OMEN (1976)
When his wife gives birth to a stillborn baby, American ambassador Robert Thorn (Gregory Peck) accepts the hospital chaplain’s offer to secretly substitute a newborn whose mother died in childbirth. But little Damien turns out to be an infernal terror — literally. This psychologically savvy horror film, in the tradition of ROSEMARY’S BABY and THE EXORCIST, was a smash hit in 1976, establishing TV vet Richard Donner as a serious film director and spawning a long-running, if less distinguished, franchise of sequels and novelizations. Composer Jerry Goldsmith, an 18-time Academy Award® nominee, won his sole statuette for Best Score, and... read more
When his wife gives birth to a stillborn baby, American ambassador Robert Thorn (Gregory Peck) accepts the hospital chaplain’s offer... read more
PERROS
In the peak of a hot and sweaty summer in the suburbs of Montevideo, the firmly middle-class Saldañas offer to dog-sit for their well-to-do neighbors, the Pernas, who hand over their keys and the instructions for their alarm without a second thought. Unable to afford their own vacation, the Saldañas decide to enjoy the finer things their neighbors’ house provides, like air conditioning, fancy lotion and creams, recreational drugs and television subscriptions. But when they lose track of the beloved family pup, the Saldañas soon find themselves in over their head — and in an escalating war with their neighbors.... read more
In the peak of a hot and sweaty summer in the suburbs of Montevideo, the firmly middle-class Saldañas offer to... read more
PETE KELLY'S BLUES (1955)
Prohibition-era bandleader Pete Kelly (Jack Webb) refuses to bend the knee to a local bootlegger. Webb maintains the same iron-clad will that made him a star on DRAGNET, but PETE KELLY'S BLUES, which he also directed, ventures further into the darkness than the procedural franchise ever could. Janet Leigh stars as flapper Ivy Conrad who complicates Pete’s life, while vocal powerhouses Peggy Lee and Ella Fitzgerald provide supporting talent. Lee scored a 1956 Best Supporting Actress Oscar® nomination for her performance as a boozy torch singer. DIR/PROD Jack Webb; SCR Richard L. Breen. U.S., 1955, color, 95 min. NOT RATED read more
Prohibition-era bandleader Pete Kelly (Jack Webb) refuses to bend the knee to a local bootlegger. Webb maintains the same iron-clad... read more
PHANTASM: REMASTERED (1979)
Underground auteur Don Coscarelli (BUBBA HO-TEP, JOHN DIES AT THE END) launched his career as a purveyor of weird fantasy with 1979’s PHANTASM, which spawned a series of sequels, becoming his signature franchise. A death-haunted young boy (A. Michael Baldwin), recently orphaned, notices weird goings-on at a local funeral parlor and discovers a bizarre grave-robbing plot hatched by a visitor from another dimension — a frightening figure known only as “The Tall Man” (Angus Scrimm). Coscarelli wrote the role of Reggie, the comic relief everyman, specifically for his friend, actor Reggie Bannister. DIR/SCR Don Coscarelli; PROD D.A. Coscarelli. U.S., 1979,... read more
Underground auteur Don Coscarelli (BUBBA HO-TEP, JOHN DIES AT THE END) launched his career as a purveyor of weird fantasy... read more
THE PHANTOM
[EL FANTASMA] A scathing art-world satire becomes a nostalgic treatise on death, memory and creation in Ignacio Masllorens and David Lamelas’ playful and often hilarious hybrid docu-fiction produced by beloved indie collective El Pampero Cine (LA FLOR, TRENQUE LAUQUEN). Rocío and Rosario are a dynamic duo, two pretentious upstart filmmakers with a production company. They are commissioned to make a standard bio-doc about late avant-garde artist Rubén Santantonín, who died young and destroyed all his remaining art works. The only catch is that they must collaborate with Santantonín’s contemporary: renowned conceptual artist David Lamelas (playing himself). As they begin to... read more
[EL FANTASMA] A scathing art-world satire becomes a nostalgic treatise on death, memory and creation in Ignacio Masllorens and David... read more
THE PRISONER OF ZENDA (1937) in 35mm
Oscar®-winning visual effects artist Craig Barron is also a renowned film historian, museum curator and educator with a deep focus on the history of cinematic illusion — from Hollywood’s studio era to the digital age. In an extended introduction, Barron breaks down the remarkable visual effects used in THE PRISONER OF ZENDA. His presentation incorporates color home movies and special-effects tests to explain how the filmmakers used split-screen photography to show the two characters played by Ronald Colman in conversation in the same scene, and matte paintings to expand the scale and majesty of the film. A wastrel heir to... read more
Oscar®-winning visual effects artist Craig Barron is also a renowned film historian, museum curator and educator with a deep focus... read more
PROJECTO GLOBAL
Though the Carnation Revolution of 1974 toppled Portugal’s 40-year-old dictatorship and ushered in a wave of democracy, the following years were filled with growing pains. In the 1980s, as the new government eschewed the socialist policies of the revolution amidst rampant unemployment and economic recession, the far-left militant group FP25 entered the scene to set the country right: through a violent campaign of bank robberies, assassinations and even the bombing of NATO ships. Filmmaker Ivo M. Ferreira recounts this rich period of Portuguese history via a morally complex and kinetic political thriller akin to those produced by Hollywood in the... read more
Though the Carnation Revolution of 1974 toppled Portugal’s 40-year-old dictatorship and ushered in a wave of democracy, the following years... read more
PULP: WHAT DO YOU DO FOR AN ENCORE?
A night you will remember for the rest of your life. This is a celebration of Pulp, one of Britain’s most unusual bands, captured during their triumphant 2025 tour. Directed by longtime collaborator Garth Jennings and narrated by Pulp frontman, Jarvis Cocker, the film weaves together footage from Pulp’s ingenious live show with four decades of never-before-seen archival material, charting the band’s circuitous journey from Sheffield outsiders to unlikely cultural icons. Featuring 20 songs spanning the course of the band’s career, this is a tribute to a band of misfits whose sharp social commentary, sarcastic yet sincere wit and enduring... read more
A night you will remember for the rest of your life. This is a celebration of Pulp, one of Britain’s... read more
QUEEN BUDAPEST
On July 27, 1986, Queen performed the largest-ever stadium concert at the Népstadion in Budapest in front of 80,000 ecstatic fans. The concert was part of the famed Magic Tour, which was the last time the band toured with lead singer Freddie Mercury. Now this original concert film has been beautifully rescanned and remastered in 4K alongside a dynamic new audio mix, featuring many of Queen’s most beloved tracks, including “Bohemian Rhapsody,” “Crazy Little Thing Called Love,” “I Want To Break Free” and “We Are The Champions.” With three years to go before the fall of the Berlin Wall, this... read more
On July 27, 1986, Queen performed the largest-ever stadium concert at the Népstadion in Budapest in front of 80,000 ecstatic... read more
QUEEN KELLY
It should have been a dream collaboration: Glamorous, world-famous movie star Gloria Swanson and her financier lover, Joseph P. Kennedy, hire celebrated director Erich von Stroheim to make a groundbreaking masterpiece. Instead, QUEEN KELLY was canceled mid-production and became the most infamous unfinished film in cinema history. Von Stroheim’s baroque, obsessive drama opens in a European country ruled by a mad queen (Seena Owen) obsessed with her feckless fiancé, “Wild” Prince Wolfram (Walter Byron). The dissolute prince falls for an innocent but flirtatious convent girl, Patricia Kelly (Swanson), kidnaps her and brings her to his rooms. When the queen discovers... read more
It should have been a dream collaboration: Glamorous, world-famous movie star Gloria Swanson and her financier lover, Joseph P. Kennedy,... read more
THE RED HANGAR
[HANGAR ROJO] September 11, 1973. Duty-bound military man Captain Jorge Silva (Nicolás Zárate) starts his day like any other, training cadets at the Air Force Academy in Chile. But as Pinochet’s military coup d’état takes the country by storm, Silva’s strict moral code will be challenged. Because he served under President Salvador Allende, Silva’s allegiances are questioned, especially when his old rival, Colonel Jahn, marches onto the base with terrifying orders. Silva is tasked with taking truckloads of badly roughed-up protestors from Santiago and set up an interrogation camp in an empty hangar. Careful not to ruffle any feathers and... read more
[HANGAR ROJO] September 11, 1973. Duty-bound military man Captain Jorge Silva (Nicolás Zárate) starts his day like any other, training... read more
THE RING (2002)
In a film renowned for its bleak atmosphere and palpable tension, the strange death of a teenage girl leads journalist Rachel Keller (Naomi Watts) to investigate an urban legend about a cursed VHS tape, which causes the untimely deaths of its viewers seven days after watching it. She enlists the help of her ex-husband, video analyst Noah (Martin Henderson), as they unfold the eerie, supernatural mystery of the tape and try to protect their son, Aiden (David Dorfman), who has his own mysterious abilities, from the effects of the tape. At just 12 years old, Daveigh Chase gave a complex... read more
In a film renowned for its bleak atmosphere and palpable tension, the strange death of a teenage girl leads journalist... read more
THE RIVER TRAIN w/ FOR THE OPPONENTS
THE RIVER TRAIN [EL TREN FLUVIAL] In the far reaches of the Argentine pampas, nine-year-old Milo (Milo Barría) is a malambo phenom. He trains under the unrelenting eye of his father to perfect the intricate footwork and bombastic stomping required for this impressive gaucho folk dance. But Milo longs for something more than his humdrum rural existence. So he slips a sleeping pill into the family stew and sneaks to the train station, desperate for an adventure in Buenos Aires. Actor Lorenzo Ferro (THE ANGEL) makes his feature directorial debut alongside the late Lucas A. Vignale with this phantasmagoric journey... read more
THE RIVER TRAIN [EL TREN FLUVIAL] In the far reaches of the Argentine pampas, nine-year-old Milo (Milo Barría) is a... read more
THE ROCKY HORROR PICTURE SHOW
Recently engaged Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) stumble upon a castle in the middle of the night that is definitely not a hunting lodge for “rich weirdos.” A jump to the left and a step to the right later, they find themselves as guests of Dr. Frank-N-Furter (Tim Curry), who does his best to make them “shiver with anticipation” at what he has in store for everyone at the Annual Transylvanian Convention. A satirical, musical tribute to classic science fiction and horror B-movies, THE ROCKY HORROR PICTURE SHOW has become a beacon, a touchstone and, for... read more
Recently engaged Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) stumble upon a castle in the middle of the... read more
ROUND MIDNIGHT (1986)
Saxophonist Dale Turner (played by real-life jazz giant Dexter Gordon) battles alcoholism and drug addiction in ‘50s Paris, but is befriended and saved by Gallic groupie Francis Borier (François Cluzet). But what happens to their friendship if Turner goes back to America? This fictionalized telling of the friendship between bebop pianist Bud Powell and a French fan won composer Herbie Hancock an Academy Award® for Best Score and netted Dexter Gordon a Best Actor nomination for his only starring role. DIR/SCR Bertrand Tavernier; SCR David Rayfiel; PROD Irwin Winkler. U.S./France, 1986, color, 131 min. In French and English with English... read more
Saxophonist Dale Turner (played by real-life jazz giant Dexter Gordon) battles alcoholism and drug addiction in ‘50s Paris, but is... read more
SAD GIRLZ
[CHICAS TRISTES] La Maestra (Rocio Guzmán) and Paula (Darana Álvarez) are teenage best friends with an unspoken and unbreakable bond. If they are not in the pool practicing for the school swim team, they are constantly hanging out, having sleepovers and buzzing about their first brushes with romance. Paula has a crush on fellow swimmer Daniel, and an upcoming party might be the perfect opportunity to spend some more time with him. But reality proves more complicated when the night does not go as planned. The fallout from the party starts to affect the girls’ friendship, as Paula wants to... read more
[CHICAS TRISTES] La Maestra (Rocio Guzmán) and Paula (Darana Álvarez) are teenage best friends with an unspoken and unbreakable bond.... read more
SUMMER OF THREE
A rollicking coming-of-age tale and an exuberant portrait of Puerto Rico, SUMMER OF THREE won the Best Performance and Best Screenplay awards at the 2026 Tribeca Film Festival. After spending most of his youth in Los Angeles, 17-year-old Javi (Marcel Ruiz) makes the prodigal return to his native Puerto Rico to attend the funeral of his grandfather. Reacquainting himself with both his family and the island itself, Javi decides to open up to new adventures and experiences when he meets boisterous misfit Luife (Paolo Schoene) and his beguiling girlfriend, Kiki (Kiki Montilla). The oddball couple play by their own rules,... read more
A rollicking coming-of-age tale and an exuberant portrait of Puerto Rico, SUMMER OF THREE won the Best Performance and Best... read more
SUSPIRIA (1977)
The signature film of Italian horror maestro Dario Argento sends fresh-faced American dancer Suzy Bannion (Jessica Harper) off to a prestigious ballet school in Germany, where she is greeted by students fleeing in panic, secretive headmistresses (Joan Bennett and Alida Valli) and a series of murders and supernatural occurrences that grow increasingly gruesome. Does something more than the spirit of the dance live within the school’s walls? Propelled by a pounding soundtrack by Italian rock band Goblin and bold, almost impossibly stylized Technicolor visuals, this film is a landmark work of cinematic horror. DIR/SCR Dario Argento; SCR Daria Nicolodi, from... read more
The signature film of Italian horror maestro Dario Argento sends fresh-faced American dancer Suzy Bannion (Jessica Harper) off to a... read more
SWEET SMELL OF SUCCESS (1957)
“I'd hate to take a bite out of you. You're a cookie full of arsenic.” This is one of the nastiest, most acid-tongued indictments of the power of the press ever produced. Burt Lancaster gives a legendary performance as J. J. Hunsecker, the most feared columnist in New York, who delights in making desperate press agent Sidney Falco (Tony Curtis) do his dirty deeds in one of the most enjoyably unpleasant films ever made. (Note courtesy of Noir City.) DIR Alexander Mackendrick; SCR Clifford Odets, Ernest Lehman, from Lehman’s novelette “Tell Me About It Tomorrow!”; PROD James Hill. U.S., 1957,... read more
“I'd hate to take a bite out of you. You're a cookie full of arsenic.” This is one of the... read more
TEENAGE SEX AND DEATH AT CAMP MIASMA
Visionary director Jane Schoenbrun (I SAW THE TV GLOW) presents a new kind of horror film. Bursting with imagination and surreal wit, their latest genre-bending wonder affirms there is no such thing as a guilty pleasure. After years of slapdash sequels and waning fandom, the CAMP MIASMA slasher franchise is due for resurrection, and one young director (Hannah Einbinder) is more than up to the task. But when she visits the original movie’s star, a now-reclusive actress (Gillian Anderson), the two women fall into a blood-soaked world of desire, fear and delirium — under threat from the spear-wielding Little Death.... read more
Visionary director Jane Schoenbrun (I SAW THE TV GLOW) presents a new kind of horror film. Bursting with imagination and... read more
TEN NIGHTS IN A BARROOM (1926)
Based on the 1854 novel “Ten Nights in a Bar-room and What I Saw There” by Timothy Shay Arthur and the 1854 play by William W. Pratt, this key work of the Black silent period tells the provocative tale of the downward spiral of Joe Morgan, a man who turns to alcohol for escape. Soon he is completely out of control and devastates his friends and family in a series of violent explosions — but all hope is not lost. A tale of temperance, the film (the first of two adaptations to be released during the Prohibition period) features preeminent... read more
Based on the 1854 novel “Ten Nights in a Bar-room and What I Saw There” by Timothy Shay Arthur and... read more
THAT SHADOW FADING w/ Q-POP
North American Premiere THAT SHADOW FADING [AQUELLA SOMBRA DESVANECÍA] A funeral keyboardist, Sol, and her son, Junior, spend one last summer together in Piura, Peru. Junior is due to graduate from university soon and yearns to leave home for the big city of Lima. As mother and son go on long drives through the desert, they struggle to work through everything they have left unsaid, eventually coming to understand each other’s perspectives and needs. Soundtracked by cumbia music playing on the radio, THAT SHADOW FADING is a quiet snapshot of familial love, belonging and knowing when to let go of... read more
North American Premiere THAT SHADOW FADING [AQUELLA SOMBRA DESVANECÍA] A funeral keyboardist, Sol, and her son, Junior, spend one last... read more
THUNDER ROAD (1958)
A personal project for Robert Mitchum, who, in addition to starring in the film, wrote the story for it, served as an uncredited producer and even composed and sang the title song, which became a radio hit. Luke Doolin (Mitchum), a proud Tennessee war vet turned bootlegger, must contend with both the feds and the mobsters who want a piece of his action. Full of thrilling car chases, memorable characters and plenty of local color, THUNDER ROAD enjoyed enormous and enduring popularity throughout the South, becoming a drive-in classic. DIR Arthur Ripley; SCR James Atlee Phillips, Walter Wise. U.S., 1958,... read more
A personal project for Robert Mitchum, who, in addition to starring in the film, wrote the story for it, served... read more
TO HAVE AND HAVE NOT (1944)
“You know how to whistle, don't you Steve? You just put your lips together and blow.” Lauren Bacall’s sultry come-ons to Humphrey Bogart made her a star overnight and began one of Hollywood’s great on- and off-screen love affairs. Bogart plays Harry Morgan, an American fishing boat captain in 1940 Martinique, unconcerned about when and from where his next dollar is coming but unwilling to take chances running local French resistance fighters on dangerous nighttime missions. Bacall plays Marie, a woman with a shady past and fierce instincts for self-preservation, whom Morgan falls for. The film famously bears little resemblance... read more
“You know how to whistle, don't you Steve? You just put your lips together and blow.” Lauren Bacall’s sultry come-ons... read more
TRAIN TO BUSAN
[부산행] [BUSANHAENG] Yeon Sang-ho‘s (THE FAKE, THE KING OF PIGS) first live-action film is a harrowing zombie-train thriller that was a box-office sensation in South Korea and went on to wow audiences across the globe. Trapped on a suspicion-filled, blood-drenched bullet train from Seoul, a group of terrified passengers must fight their way through a countrywide viral outbreak in order to reach the southern resort city of Busan, the one place that has managed to hold off the zombie hordes…or so everyone hopes. DIR/SCR Yeon Sang-ho; SCR Park Joo-suk; PROD Lee Dong-ha. South Korea, 2016, color, 118 min. In Korean... read more
[부산행] [BUSANHAENG] Yeon Sang-ho‘s (THE FAKE, THE KING OF PIGS) first live-action film is a harrowing zombie-train thriller that was... read more
UNDER THE SAME SUN
[BAJO EL MISMO SOL] Lázaro (David Castillo), a thin-skinned Spanish colonialist, arrives to the Caribbean island of Hispaniola in 1819 with plans to make good on his family’s dream of producing silk in the Americas. To ensure high-quality production, he has brought with him Mei (Valentina Shen Wu), an expert from China, and a box of silkworms. When they arrive at Lázaro’s inherited property, he is startled to find Baptiste (Jean Jean), a deserter from the Haitian army, squatting in his father’s home. But despite their differences in language and culture, the trio find a way forward. Baptiste helps them... read more
[BAJO EL MISMO SOL] Lázaro (David Castillo), a thin-skinned Spanish colonialist, arrives to the Caribbean island of Hispaniola in 1819... read more
VERTICES
In this delicate story by Salvadoran filmmaker Arturo López Rodas, three old friends — Ricardo, José and Paco — reunite for a funeral after several decades apart. As they reminisce about their pasts through a long conversation mingled with jokes and drinks, they reflect on their friendship and the larger ideas of masculinity, life and death. Unfolding via understated cinematography that artfully mixes stark black-and-white with lush color photography and naturalistic dialogue, VERTICES captures the vitality of connection, the slow passage of time and the importance of companionship. —Bridget Sweeney DIR/SCR Arturo López Rodas; PROD Joselyn Quinteros, Walter Rodríguez. El... read more
In this delicate story by Salvadoran filmmaker Arturo López Rodas, three old friends — Ricardo, José and Paco — reunite... read more
WHAT PRICE GLORY (1926)
Two American Marines (Victor McLaglen and Edmund Lowe) battle over women around the world, starting with good-time girl “Shanghai Mabel” (Phyllis Haver). When they reach France during World War I, their boisterous competition is redirected toward a French innkeeper’s fiery daughter, Charmaine (Dolores Del Río). Their coarse rivalry gives way to the horrors of war with an extended battle sequence that balances male camaraderie against the human toll of battle. WHAT PRICE GLORY is perhaps the most foul-mouthed silent film in history — a delight for lip-readers — with the two Marines’ salty language amusingly paraphrased in polite intertitles. DIR... read more
Two American Marines (Victor McLaglen and Edmund Lowe) battle over women around the world, starting with good-time girl “Shanghai Mabel”... read more
THE YELLOW CANARY (1963)
Wait a minute — where did this come from? A late-cycle film noir with a script by Rod Serling, from a novel by Whit Masterson (“Badge of Evil,” the inspiration for Orson Welles’ TOUCH OF EVIL)? Starring Pat Boone as an egomaniacal pop crooner whose only child is kidnapped for a king’s ransom? With Barbara Eden as his wife? And Jack Klugman the investigating cop? With a wall-to-wall jazz-pop score by Kenyon Hopkins? And a supporting cast that is a Who’s Who of ‘60s favorites: Steve Forrest, Jesse White, Harold Gould, Milton Selzer, Jeff Corey and Joe Turkel? The Film... read more
Wait a minute — where did this come from? A late-cycle film noir with a script by Rod Serling, from... read more
YOU MUST REMEMBER THIS: I CONFESS w/ LONELYHEARTS
Join us for a double feature inspired by the new season of the hit podcast YOU MUST REMEMBER THIS, which launches on September 15! The latest season of Karina Longworth’s award-winning podcast is called “The Bisexuals,” and traces the life of torch singer — and accused murderess — Libby Holman and her sexually-fluid group of friends and lovers from the 1920s to the end of the 1960s, which included Montgomery Clift, Tallulah Bankhead, Josephine Baker, Nicholas Ray and many more. Longworth will introduce two films starring enigmatic four-time Academy Award® nominee Montgomery Clift, made at the height of his fame... read more
Join us for a double feature inspired by the new season of the hit podcast YOU MUST REMEMBER THIS, which... read more
YOUNG MAN WITH A HORN (1950)
Musician Rick Martin (Kirk Douglas) finds a sense of belonging in only one thing: the trumpet he bonded with as a young orphan. In his rise to artistic success, Martin struggles to maintain relationships as strong as the music he creates, and eventually he risks losing everything in a steady swirl of ignorance and alcohol. Doris Day plays the singer/savior Martin tosses aside in favor of sultry Amy North (Lauren Bacall), whose bisexuality stealthily slipped past the Hollywood censors. (Note courtesy of Noir City.) DIR Michael Curtiz; SCR Carl Foreman, Edmund H. North, from the novel by Dorothy Baker; PROD... read more
Musician Rick Martin (Kirk Douglas) finds a sense of belonging in only one thing: the trumpet he bonded with as... read more
