CinemaScope Summer
July 11–Sept. 17
“CinemaScope will bring to the screen a dimension of reality, a greatness and a panoramic sweep that will make it the most powerful and effective medium of entertainment in the world.” — Spyros Skouras, President, 20th Century–Fox
“It wasn’t made for people. It’s only good for snakes — and funerals.” — Fritz Lang, playing himself, in Jean-Luc Godard’s CONTEMPT (1963)
Introduced in 1953 by 20th Century–Fox, CinemaScope was Hollywood’s biggest bid to ensure theatrical entertainment held sway over broadcast television, which had grown rapidly since its commercial expansion in the late ‘40s. Utilizing anamorphic lenses developed by inventor Henri Chrétien that captured a wider image than previous formats, CinemaScope ensured that the motion-picture image would have a scale no tiny screen could compete with — and stories to match. As the pioneers of the format, 20th Century–Fox were the most invested in it, but in time all major American studios would make films in some version of the format (originally a 2.55:1 ratio, later standardized at 2.35:1 to include sound-on-film soundtracks). While filmmaker opinions varied, as the famous Fritz Lang quote attests, the medium was well-utilized for spectacular genres like ancient-world epics, musicals and wide-horizon westerns. Many innovative CinemaScope films came from overseas in Italy, France, the USSR and Japan. (See our Tatsuya Nakadai retrospective for some “Samurai in ‘Scope” examples.)