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Tuesday 9/ 1 | Wednesday 9/ 2 | Thursday 9/ 3 | Friday 9/ 4 | Saturday 9/ 5 | ||
Sunday 9/ 6 | Monday 9/ 7 | Tuesday 9/ 8 | Wednesday 9/ 9 | Thursday 9/ 10 | Friday 9/ 11 | Saturday 9/ 12 |
Sunday 9/ 13 | Monday 9/ 14 | Tuesday 9/ 15 | Wednesday 9/ 16 | Thursday 9/ 17 | Friday 9/ 18 | Saturday 9/ 19 |
Sunday 9/ 20 | Monday 9/ 21 | Tuesday 9/ 22 | Wednesday 9/ 23 | Thursday 9/ 24 | Friday 9/ 25 | Saturday 9/ 26 |
Sunday 9/ 27 | Monday 9/ 28 | Tuesday 9/ 29Following the finale of his acclaimed HBO series HOW TO WITH JOHN WILSON, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete, the world’s most widely used building material, appears as an ever-present life force,... Brydie O’Connor’s kaleidoscopic documentary — executive produced by Kristen Stewart and Christine Vachon — explores the life, work and ongoing cultural impact of filmmaker Barbara Hammer, a pioneering artist who lived boldly, created urgently, and transformed cinema through her singular vision. Her films were an... In this delicate story by Salvadoran filmmaker Arturo López Rodas, three old friends — Ricardo, José and Paco — reunite for a funeral after several decades apart. As they reminisce about their pasts through a long conversation mingled with jokes and drinks, they reflect on... Famed Russian revolutionary film director Sergei Eisenstein traveled to Mexico in December 1930 to experience firsthand its “geographical, ethnological, cultural and historical diversity” and to make the feature film known to the world as ¡QUE VIVA MÉXICO! After shooting 200,000 feet of 35mm film footage,... An adaptation of Colombian writer Pilar Quintana’s novel, Dominga Sotomayor’s (THURSDAY TILL SUNDAY, TOO LATE TO DIE YOUNG) impressive third feature expands on the Chilean filmmaker's distinctive explorations of memory, landscape and the inner lives of women. On Santa María, a remote island off the... [第一類型危] a.k.a. DANGEROUS ENCOUNTERS OF THE FIRST KIND Long difficult to see, Tsui Hark’s (A BETTER TOMORROW) DON’T PLAY WITH FIRE a.k.a. DANGEROUS ENCOUNTERS OF THE FIRST KIND is one of the most controversial and violent crime films from the Hong Kong New Wave of... | Wednesday 9/ 30[第一類型危] a.k.a. DANGEROUS ENCOUNTERS OF THE FIRST KIND Long difficult to see, Tsui Hark’s (A BETTER TOMORROW) DON’T PLAY WITH FIRE a.k.a. DANGEROUS ENCOUNTERS OF THE FIRST KIND is one of the most controversial and violent crime films from the Hong Kong New Wave of... Following the finale of his acclaimed HBO series HOW TO WITH JOHN WILSON, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete, the world’s most widely used building material, appears as an ever-present life force,... Brydie O’Connor’s kaleidoscopic documentary — executive produced by Kristen Stewart and Christine Vachon — explores the life, work and ongoing cultural impact of filmmaker Barbara Hammer, a pioneering artist who lived boldly, created urgently, and transformed cinema through her singular vision. Her films were an... Deep in the Guatemalan highlands, Romero (Józef Coxaj) leads a seemingly beautiful life with his wife and young child. But he dreams of something bigger, so he leaves his family behind to search for work in Guatemala City, with promises of returning in six months.... In the peak of a hot and sweaty summer in the suburbs of Montevideo, the firmly middle-class Saldañas offer to dog-sit for their well-to-do neighbors, the Pernas, who hand over their keys and the instructions for their alarm without a second thought. Unable to afford... [PRINCESA BURRO] Chilean directing duo Cristóbal León and Joaquín Cociña (THE WOLF HOUSE) take a genre-busting detour into the multiverse in their latest mind-blowingly handcrafted creation. In the long-ago kingdom of Chile, the black plague leaves a path of destruction and death, turning King Arthur... |